What is the first thing
in your mind when the words Bible and movie appear together in the same sentence?
I hope you didn’t think it was Armageddon.
Although I wouldn’t put it past Michael Bay to transform anything or anyone, even their religion and girlfriends.
But when was the last
time you remember being treated to a biblical movie? Maybe most of you will vaguely
recall the widely-popular and highly-controversial movie The Passion of the Christ back in 2004 by Mel “Mad Max” Gibson. Mad Max? You will see my point as you
read down. And if you haven’t seen this movie, then you haven’t missed much. Except
probably not watch one of the most graphical, violent and edifying piece of artistic
interpretation of arguably one of the most well-known chapters in the Bible –
the crucifixion of Jesus of Nazareth.
Given the nature of The Passion, the elements of this movie
were much confined to its drama genre, but thankfully it was anything but
boring. This is expected of course, given the chronicle-filled nature of the
Bible. It is no wonder that most biblical movies (with the very few notable
exception of some like The Passion, Ben-Hur and The Ten Commandments), have never been globally successful in a done-to-death
genre.
Most successful films’
formula in recent times spells only one word – epic. It is an easy formula because the epic genre is mainly a
derivative of fantasy, and money. Lots and lots of money. But how do you apply
that into a biblical chronicle? And make lots and lots of money?
You pray, you go to
church and you do charities in the name of God. Ok, I was kidding.
That is why when Noah, Darren Aronofsky’s next film was announced
this year, I thought that the Black Swan
director was making a traditional version of the familiar tale. The only thing
that is going to be traditional about Noah
is Aronofsky’s penchant for controversial movies that are often associated with
violent, bleak and depressing subject matter. He even loses the word “Ark” from
the traditional title.
So no, Noah is not going to be a retelling of
the biblical figure as much as the most of us would like to think it is going
to be. A close adaptation of the chronicle of Noah’s Ark; now wouldn’t that
have been boring and predictable, with no money? Just like how The Passion was biblically inaccurate
but artistically resonant, graphically encapsulating, and faithful to the New
Testament, Noah will accomplish the
same for the Old Testament.
Before I go on, I
wish to point out that Aronofsky is a genius for making this movie. The pieces
all fall into place. Aside from his childhood fascination with Noah’s story
from the Bible, here is what I’ve spotted: what Mel Gibson did for The Passion, Noah will do the same for Mad Max (the character, not the film;
although both are the same). Confused yet?
And that is how Noah will turn out. This is Aronofsky’s Noah. He is going to be a Mad Max-style
warrior placed in a pseudo-apocalyptic world where he has to face and survive
six-armed giants. Intrigued already?
He isn’t the
patriarchal prophet you remember from the Bible. This is a warrior out of the
depths of ancient time; a world where pity has no place. A place marked by violence
and barbarism. A fighter and also a healer who is subjected to imminent visions
of the end of the world consumed by an endless wave of deluge. Absorbed yet?
For a movie this
religiously epic, you need an equally epic cast with a balanced mix. So let me
roll down the red carpet and present Sir Anthony Hopkins, Jennifer Connelly and
Ema Watson. And no, I’m sorry to disappoint but even Hopkins is way too old to be
playing Noah. That honour rolls nicely to Russell Crowe of Luxley (please
excuse his last on-screen disaster of Robin
Hood). And yes, for the first time in more than a decade, Crowe and
Connelly will be reunited on-screen to work that magic thing they got going so
well for them in A Beautiful Mind. Impressed
yet?
You can have a peek
at the look and feel of this upcoming religious epic movie at the end of this
article by checking out the video showcasing the graphic novel written by
Aronofsky. It is published in French and drawn by Marvel and DC comics veteran
artist Henrichon; created to help promote the film to Paramount Pictures. Unless
you read French, just appreciate the gravity of the graphics and its dark
undertone here – the score also tells you a bit about the mood and bleakness of
this movie.
Noah is scheduled for release on the 28th of March, 2014.
Click below for the
graphic novel showcase:
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